10×20 Diptych . Acrylic, collage, map, image transfer, charcoal on birch panel. Lori used images of crows captured on wires, street signs, branches and in flight to manipulate them into surreal-like/abstract settings. Crows’ diurnal lifestyles mimic those of humans, and their social behaviours have been observed as evolutionary traits similar to our own. Through this fusion and co-mingling a new genre of landscape unfurls.
12″ x 24″. Oil on canvas. The light of the setting sun on an Arbutus tree and the Southern Gulf Islands is the subject of Sunset Arbutus. The viewer is encouraged to share in the amazing vibrant colours of the Arbutus tree and the beauty of the Pacific Northwest. The Arbutus is a unique part of the ecosystem of the Pacific Northwest, as it is Canada’s only native broad-leafed evergreen tree as it usually grows no further than 8 km from the coastline of the Pacific Ocean.
8" x 10". Acrylic Ink on Watercolour Paper. Unframed. Racoons, and their relationships with us, are the strangest of dichotomies. They are mischievous, which we love and hate. They are intelligent, which we admire. Finally, they are both tender with family and vicious in their defence.
24″ x 24″. Acylic painting on an unframed stretched canvas, with deep sides (1 1/2″ deep) painted black. The scene is from the west coast of Vancouver Island, in Pacific Rim National Park near Tofino, BC.
Click image for larger viewItem Added: Tue Jul 14, 2015 09:02 AM
Artist’s Edition of the 2014 – 2015 Salmon Conservation Stamp & Print which features “Rapid Approach – Chum Salmon & Grizzly” by W. Allan Hancock. Print is 8″ x 10″. Stamp is 1.25″ x 1.75″. Unframed.
Handmade Seal Soapstone Carving by a Canadian Eskimo Artist Josie Epoo, Inukiuak, 1986. 10" tall. Authentication tag included. Donated by Mr. Ken Thorpe.
Share Item
Tweet Item
eFlea.ca On LinkedIn